At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride. 　　Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior. 　　As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile. 　　A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.

At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride. 　　Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior. 　　As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile. 　　A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.

克莱尔·丹尼斯的镜头通过白天和夜晚两个部分，勾勒出雅克·里维特的人生轨迹与创作生涯，中间穿插着在巴黎的咖啡馆与影评人塞尔日·达内的讨论。赛尔日·达内在提问、分析、评价，雅克·里维特在自问、回避，短暂地微笑。他的话语中穿插着《巴黎属于我们》、《北方的桥》、《决斗》、《百里挑一》、《疯狂的爱》中的电影片段，还有布鲁·欧吉尔讲述他与里维特这位神秘导演的关系

克莱尔·丹尼斯的镜头通过白天和夜晚两个部分，勾勒出雅克·里维特的人生轨迹与创作生涯，中间穿插着在巴黎的咖啡馆与影评人塞尔日·达内的讨论。赛尔日·达内在提问、分析、评价，雅克·里维特在自问、回避，短暂地微笑。他的话语中穿插着《巴黎属于我们》、《北方的桥》、《决斗》、《百里挑一》、《疯狂的爱》中的电影片段，还有布鲁·欧吉尔讲述他与里维特这位神秘导演的关系

《盲点》第三季里简的日子将会好过一些，因为其养母谢培德将暂时不会出现在她的生活里。

警方安颖调查尸体藏毒案的最大嫌疑人—冷文宇，他却意外纵火自焚，只有妹妹冷文琦不相信哥哥会自杀。警方继续追踪毒品下落，发现制毒师老金的窝点。

警方安颖调查尸体藏毒案的最大嫌疑人—冷文宇，他却意外纵火自焚，只有妹妹冷文琦不相信哥哥会自杀。警方继续追踪毒品下落，发现制毒师老金的窝点。

故事围绕一个假释犯假释期的最后几天展开。

入夜，一家小超市里一如往常般安静，肥胖的女收银员布置好摄像监控，瘦小的男店员戴着耳机清点货架，一个动作迟缓的老太在里面闲逛。一个劫匪悄悄进到店里，没人留意他的到来，他对准收银员的枪声被噪音掩盖，柜台下流出的鲜血被男店员当脏东西打扫。紧张的人只有劫匪一个，他手忙脚乱，神经敏感，被玩具娃娃声音惊吓的他，终于又开枪干掉了男店员，抢钱夺门而去。但是监控录像被警方调出来后，他们却直奔老太的家…… 　　Annecy2008年开幕影片

入夜，一家小超市里一如往常般安静，肥胖的女收银员布置好摄像监控，瘦小的男店员戴着耳机清点货架，一个动作迟缓的老太在里面闲逛。一个劫匪悄悄进到店里，没人留意他的到来，他对准收银员的枪声被噪音掩盖，柜台下流出的鲜血被男店员当脏东西打扫。紧张的人只有劫匪一个，他手忙脚乱，神经敏感，被玩具娃娃声音惊吓的他，终于又开枪干掉了男店员，抢钱夺门而去。但是监控录像被警方调出来后，他们却直奔老太的家…… 　　Annecy2008年开幕影片